For this assignment I considered various options before settling on the final theme:
- Within the same area of London, take two series pictures including derelict and new buildings. respectively, to create the illusion of either well off / run-down areas (when the reality is neither of).
- A second idea, which followed from the first one, was to take alternative pictures of the north and south bank of the Thames showing derelict / new buildings on either side.
- The third idea that came to my mind was to identify something that was happening on the street (eg somebody doing road works, or taking a photograph) and then to split the scene into various shots, each showing incomplete information, with a final series including the complete scene. Each of these shots were then going to be part of a separate series, with the intention being that each series would mean something different when considered individually, as opposed to when the final series puts the series all together.
I considered the first two ideas to be too close to what I am normally familiar with my current photographic practice and only was willing to consider them as a last resort, as I wanted to try something new. For the third idea, I did some preliminary tests (see shots below), but quickly came to the realisation that it was going to be quite a challenge to find sufficient suitable situations in the limited amount of time I had available to complete this (about 3 weeks, as I started to work in earnest during the second week of July) and more importantly, I was not convinced I could build sufficiently cohesive sets. In the end, I decided I was risking too much of a departure from the brief, but this is an idea I would like to revisit sometime in the future, possibly as a long-term project (I envisage it will require many months, if not years, to build a cohesive set).
3rd idea tester – Series 1
3rd idea tester – Series 2
3rd idea tester – Series 3 (full scene)
In the end, I decided to do two alternative series about myself. This is quite a departure for my comfort zone, as I only occasionally do portraits as part of my practice and when I do them, they are rarely self-portraits. The idea was to create two separate sets which show me as two different personas, the “city director” and the “photographer”, both of which are loosely based on aspects of my life but that contain elements which are stereotypes of what we expect these respective roles to do or be. Although the personas are clearly different, I wanted to emphasize the point that they may actually coexist, to a certain degree, within the same person and that both may be simultaneously truthful and misleading. This will play an important role in how I will shoot and present the pictures at the end. The whole set was in part inspired by observations made by Abigail Solomon-Godeau in her essay “Inside / Out” (link to my comments on this), and the lack of objectivity that may result from being in an insider position, and the limitations of photography in showing anything but what appears on the surface.